{"id":9158,"date":"2019-04-11T14:29:52","date_gmt":"2019-04-11T12:29:52","guid":{"rendered":"http:\/\/www.operndorf-afrika.com\/panel-discussion-ueber-die-kunst-die-waffen-gegen-sich-selbst-zu-wenden\/"},"modified":"2019-04-12T16:20:26","modified_gmt":"2019-04-12T14:20:26","slug":"panel-discussion-ueber-die-kunst-die-waffen-gegen-sich-selbst-zu-wenden","status":"publish","type":"post","link":"https:\/\/www.operndorf-afrika.com\/fr\/panel-discussion-ueber-die-kunst-die-waffen-gegen-sich-selbst-zu-wenden\/","title":{"rendered":"Panel Discussion"},"content":{"rendered":"

Operndorf Afrika pr\u00e9sente:<\/em> <\/h3>\n

« \u00dcber die Kunst, die Waffen gegen sich selbst zu wenden »<\/strong>
\nUn panel de discussion avec Friedrich von Borries, Cl\u00e9mentine Deliss, Ariane M\u00fcller<\/strong>
\nPr\u00e9sent\u00e9 par Sonja Lau<\/strong>
\nLieu: Wiensowski & Harbord, Bunker at L\u00fctzowstra\u00dfe 32, 10785 Berlin<\/strong>
\n14h00, Entr\u00e9e gratuite
\nLa discussion aura lieu en allemand<\/strong><\/h3>\n

 <\/p>\n

Dans ce panel, nous nous concentrons sur l’\u00e9cart pr\u00e9sent entre l’Operndorf Afrika situ\u00e9 au Burkina Faso en tant que lieu de production et un autre, plus spectral, Operndorf, qui g\u00e9n\u00e8re une production d\u00e9plac\u00e9e au sein de sa localisation en Allemagne. L\u2019application du terme \u00abop\u00e9ra\u00bb est toujours li\u00e9 \u00e0 au moins deux cadres. Premi\u00e8rement, en termes de m\u00e9thode d’amplification – l’op\u00e9ra en tant que forme d’art, en tant qu’\u00e9cole \u00e9l\u00e9mentaire, en tant qu’h\u00f4pital – en second lieu, en tant que r\u00e9verb\u00e9ration critique interne et d’une \u00abop\u00e9ration\u00bb de sch\u00e9mas de pens\u00e9e et de discours rigides (occidentaux).<\/span><\/p>\n

La cohabitation de ces deux op\u00e9ras, ou villages de l’op\u00e9ra, donne une id\u00e9e des incitations artistiques initiales qui ont conduit \u00e0 ce projet. Mais cela ouvre \u00e9galement la voie \u00e0 une discussion sur une urgence esth\u00e9tique et politique, impr\u00e9gn\u00e9e de diff\u00e9rentes mani\u00e8res de traiter les relations et les dynamiques d’un projet \u00e0 collaboration globale. <\/span>Quelles formes de (r\u00e9) m\u00e9diation, de (re) r\u00e9partition des rendements financiers et des rendements symboliques, de (d\u00e9s) armement de souverainet\u00e9 discursive sont dues ou \u00e0 prendre en compte?<\/span><\/p>\n

Avec le titre « Von der Kunst die Waffen gegen sich selbst zu richten » (\u00abDe l’art de tourner les armes contre soi-m\u00eame\u00bb), Operndorf Afrika propose comme point de d\u00e9part l’une de ses strat\u00e9gies inh\u00e9rentes, d\u00e9sireux d’\u00e9largir cette analyse par les positions et le savoir-faire de nos invit\u00e9s.<\/span><\/p>\n

 <\/p>\n

Friedrich von Borries <\/b>est architecte et professeur de design au HfbK de Hambourg. Dans son travail, il se concentre sur la relation entre le design et les transformations socio-politiques, l\u2019id\u00e9e traditionnelle du \u00abdesign en tant que solution\u00bb \u00e9tant souvent reformul\u00e9e par une approche plus anticipative du design en tant que repr\u00e9sentation d\u2019un \u00abprobl\u00e8me futur\u00bb. Son exposition actuelle « Politics of Design. Design of Politics »est pr\u00e9sent\u00e9e \u00e0 la Pinacoth\u00e8que de Munich jusqu’en septembre 2019.<\/span><\/p>\n

Cl\u00e9mentine Deliss <\/b>est ethnologue et professeure d\u2019\u00e9tudes curatoriales et de la dramaturgie appliqu\u00e9e au HfG Karlsruhe. De 2010 \u00e0 2015, elle a travaill\u00e9 comme directrice du Weltkulturen Museum \u00e0 Francfort a. M. Ses recherches sur la r\u00e9vision post-ethnologique des collections historiques figurent largement parmi les expositions, comme r\u00e9cemment dans le cadre de \u00abHello World\u00bb \u00e0 la Hamburger Bahnhof \u00e0 Berlin.<\/span><\/p>\n

Ariane M\u00fcller<\/b> travaille en tant qu’artiste, auteure et \u00e9ditrice du magazine d’art Starship, qu’elle a cofond\u00e9 en 1998. En 2013, elle a publi\u00e9 \u00abUn manuel pour un voyage en Afrique\u00bb (\u201cHandbuch f\u00fcr die Reise durch Afrika\u201d), qui est \u00e0 la fois un roman, un travail de terrain et une critique post-coloniale. Elle donne r\u00e9guli\u00e8rement des conf\u00e9rences dans diverses acad\u00e9mies europ\u00e9ennes, actuellement professeur invit\u00e9 \u00e0 la HfG Offenbach et \u00e0 l’Acad\u00e9mie des beaux-arts d’Ume\u00e5.<\/span><\/p>\n

Sonja Lau <\/b>est une conservatrice et critique bas\u00e9e \u00e0 Berlin, qui se concentre sur l’histoire de l’art en tant que construction d\u2019histoires alternatives.<\/span><\/p>\n

 <\/p>\n

Le panel sera cr\u00e9\u00e9 avec l’aimable soutien de:<\/strong><\/p>\n

\"\"<\/p>\n

Le panel prend place dans le cadre de la pr\u00e9sente exposition DONK\u00d4K\u00c9N\u00c9 ZWEI – A GERMAN SUBTITLE<\/b> pr\u00e9sent\u00e9 par Operndorf Afrika. Pour plus d’informations sur l’exposition, <\/span>cliquez ici<\/u><\/em><\/a>.\u00a0<\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"Operndorf Afrika pr\u00e9sente:<\/em> « \u00dcber die Kunst, die Waffen gegen sich selbst zu wenden »
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