{"id":17658,"date":"2025-04-16T15:23:50","date_gmt":"2025-04-16T13:23:50","guid":{"rendered":"https:\/\/www.operndorf-afrika.com\/operndorf-afrika-goes-dakar\/"},"modified":"2025-04-16T15:33:50","modified_gmt":"2025-04-16T13:33:50","slug":"operndorf-afrika-goes-dakar","status":"publish","type":"post","link":"https:\/\/www.operndorf-afrika.com\/fr\/operndorf-afrika-goes-dakar\/","title":{"rendered":"Le Village Opera arrive \u00e0 Dakar"},"content":{"rendered":"En mars, la deuxi\u00e8me partie de notre programme de r\u00e9sidence a eu lieu \u00e0 Dakar, au S\u00e9n\u00e9gal. En collaboration avec notre partenaire local, RadioAWU, une exposition a \u00e9t\u00e9 organis\u00e9e, offrant un aper\u00e7u des recherches artistiques et des r\u00e9sultats de nos artistes r\u00e9sidents cette ann\u00e9e. La pr\u00e9sentation a propos\u00e9 un programme diversifi\u00e9, allant des \u0153uvres audiovisuelles et objets tactiles aux approches discursives. Toutes les positions artistiques pr\u00e9sent\u00e9es dans l’exposition se sont engag\u00e9es de diff\u00e9rentes mani\u00e8res avec les th\u00e8mes de la m\u00e9moire, de l’identit\u00e9, de la politique du corps et des structures de pouvoir postcoloniales.<\/p>\n
Godelive Kasangati Kabena, en provenance de la R\u00e9publique D\u00e9mocratique du Congo, a pr\u00e9sent\u00e9 son travail « Speculative Bodies: The Tail and the Scent », dans lequel elle a explor\u00e9 le chien Basenji comme un objet archivistique et sp\u00e9culatif. Partant de la forme du caract\u00e8re de la queue enroul\u00e9e du chien et de la symbolique de ses ph\u00e9romones, elle a d\u00e9velopp\u00e9 des objets portables et des \u0153uvres sculpturales. En collaboration avec des fonderies d’aluminium locales et des artisans bijoutiers, elle a cr\u00e9\u00e9 des pi\u00e8ces qui abordent les questions de la physicalit\u00e9, de la reproduction et de la fluidit\u00e9 de l’image et de l’identit\u00e9. Pour nous, cela a ouvert un dialogue passionnant sur l’image archivistique en tant que construction sp\u00e9culative en constante \u00e9volution.<\/p>\n
![\"\"](\"https:\/\/www.operndorf-afrika.com\/wp-content\/uploads\/\/dsc_6783-768x511.jpg\")
Christopher Nelson Obuh, du Nig\u00e9ria, s’est concentr\u00e9 sur l’histoire et la situation actuelle du Franc CFA avec son projet « The Renegotiation » \u2013 la monnaie utilis\u00e9e par de nombreux pays d’Afrique de l’Ouest qui reste sous l’influence fran\u00e7aise jusqu’\u00e0 ce jour. \u00c0 travers la reconstruction artistique de billets de banque et leur superposition avec des fragments quotidiens, politiques et historiques, il a abord\u00e9 les d\u00e9pendances \u00e9conomiques et les formes complexes de continuit\u00e9 coloniale. Ce travail nous a fourni des \u00e9clairages pr\u00e9cieux sur la question de l’autod\u00e9termination \u00e9conomique dans les contextes postcoloniaux.<\/p>\n
![\"\"](\"https:\/\/www.operndorf-afrika.com\/wp-content\/uploads\/\/dsc_6754-768x511.jpg\")
Leila Bencharnia du Maroc a pr\u00e9sent\u00e9 « The Politics of Softness », une exploration po\u00e9tique du coton en tant que mat\u00e9riau, porteur de m\u00e9moire et symbole des pratiques de connaissance f\u00e9minis\u00e9es. Ses \u0153uvres combinaient des \u00e9l\u00e9ments textiles, des r\u00e9cits matriarcaux et des id\u00e9es panafricaines pour offrir une critique discr\u00e8te mais r\u00e9solue des structures temporelles et de pouvoir imp\u00e9riales. Pour nous, cette position \u00e9tait un exemple frappant de la mani\u00e8re dont la pratique artistique peut cr\u00e9er des espaces pour des formes alternatives de r\u00e9sistance et de savoir collectif.<\/p>\n
![\"\"](\"https:\/\/www.operndorf-afrika.com\/wp-content\/uploads\/\/dsc_6854-768x511.jpg\")
L’exposition a cr\u00e9\u00e9 un espace qui a permis aux visiteurs de s’engager avec les positions artistiques individuelles ainsi qu’avec les activit\u00e9s de notre projet. Il \u00e9tait important pour nous de proposer un cadre pour l’\u00e9change interculturel et la mise en r\u00e9seau. Les artistes ont abord\u00e9 des th\u00e8mes tels que la m\u00e9moire, l’identit\u00e9, la politique du corps et les structures de pouvoir coloniales \u2013 des sujets qui sont \u00e9galement au c\u0153ur du travail du Village Opera. La collaboration avec RadioAWU et les rencontres avec le public local ont montr\u00e9 le potentiel de tels formats collaboratifs : ils ouvrent des espaces pour des discussions soci\u00e9tales et cr\u00e9ent des connexions interculturelles qui vont au-del\u00e0 du Village Opera. Le projet a mis en \u00e9vidence le potentiel du Village Opera en tant que plateforme de dialogue interculturel et en tant que lieu o\u00f9 l’art sert d’outil pour la transformation sociale. Au-del\u00e0 des \u0153uvres d’art individuelles, l’exposition a \u00e9t\u00e9 un excellent exemple de la mani\u00e8re dont l’art peut cr\u00e9er des ponts entre diff\u00e9rentes cultures et r\u00e9alit\u00e9s.<\/p>\n
Le programme Artist-in-Residence de cette ann\u00e9e est soutenu par<\/p>\n
![\"\"](\"https:\/\/www.operndorf-afrika.com\/wp-content\/uploads\/aa_2017_web_en.gif\")
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En mars, la deuxi\u00e8me partie de notre programme de r\u00e9sidence a eu lieu \u00e0 Dakar, au S\u00e9n\u00e9gal. En collaboration avec notre partenaire …","protected":false},"author":6,"featured_media":17598,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[56,19],"tags":[],"class_list":["post-17658","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-startseite-fr","category-nouvelles"],"acf":[],"yoast_head":"\n
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