{"id":17222,"date":"2025-02-14T15:25:43","date_gmt":"2025-02-14T13:25:43","guid":{"rendered":"https:\/\/www.operndorf-afrika.com\/godelive-kasangati-kabena-you-must-use-the-tomato\/"},"modified":"2025-03-14T14:48:20","modified_gmt":"2025-03-14T12:48:20","slug":"godelive-kasangati-kabena-you-must-use-the-tomato","status":"publish","type":"post","link":"https:\/\/www.operndorf-afrika.com\/fr\/godelive-kasangati-kabena-you-must-use-the-tomato\/","title":{"rendered":"Godelive Kasangati Kabena: You must use the Tomato"},"content":{"rendered":"<p data-start=\"0\" data-end=\"406\">Dans son \u0153uvre cin\u00e9matographique <em data-start=\"33\" data-end=\"58\">You must use the Tomato<\/em>, l&rsquo;artiste en r\u00e9sidence du Village Op\u00e9ra, Godelive Kasangati Kabena, explore la relation entre les objets et leur valeur sous un angle socio-\u00e9conomique. L&rsquo;\u00e9nonc\u00e9 central, \u00ab Tu dois utiliser la tomate \u00bb, fait r\u00e9f\u00e9rence \u00e0 une m\u00e9thode qui travaille avec des objets apparemment vides, dont la signification ne se r\u00e9v\u00e8le que par une action sp\u00e9cifique.<\/p>\n<p data-start=\"408\" data-end=\"966\">Dans ce cas, la tomate en bo\u00eete sert de symbole pour des choses qui semblent d&rsquo;abord sans valeur. La bo\u00eete doit d&rsquo;abord \u00eatre vid\u00e9e pour que sa v\u00e9ritable valeur se d\u00e9ploie. Cela se fait \u00e0 travers l&rsquo;acte de vider, qui sert simultan\u00e9ment de m\u00e9taphore pour le d\u00e9ploiement de la signification et de la valeur dans un contexte social et \u00e9conomique. Le processus d&rsquo;obtention de pi\u00e8ces de monnaie en vidant la bo\u00eete montre comment des objets apparemment sans valeur peuvent trouver leur place dans un syst\u00e8me gr\u00e2ce \u00e0 une utilisation et une transformation d\u00e9lib\u00e9r\u00e9es.<\/p>\n<p data-start=\"968\" data-end=\"1301\" data-is-last-node=\"\">L&rsquo;\u0153uvre de Godelive nous invite \u00e0 remettre en question notre perception de la valeur et souligne que la valeur des objets devient souvent visible seulement dans leur contexte et \u00e0 travers la mani\u00e8re dont ils sont utilis\u00e9s. Il s&rsquo;agit d&rsquo;une r\u00e9flexion critique sur la mat\u00e9rialit\u00e9 et le contexte \u00e9conomique des objets dans notre soci\u00e9t\u00e9.<\/p>\n<p data-start=\"968\" data-end=\"1301\" data-is-last-node=\"\"><strong>Le programme de r\u00e9sidence d&rsquo;artiste de cette ann\u00e9e est financ\u00e9 par le Minist\u00e8re f\u00e9d\u00e9ral des Affaires \u00e9trang\u00e8res d&rsquo;Allemagne.<\/strong><\/p>\n<p data-start=\"968\" data-end=\"1301\" data-is-last-node=\"\"><img decoding=\"async\" width=\"180\" height=\"104\" class=\"alignnone size-full wp-image-17287\" src=\"https:\/\/www.operndorf-afrika.com\/wp-content\/uploads\/aa_2017_web_en.gif\" alt=\"\" \/><\/p>\n","protected":false},"excerpt":{"rendered":"<p data-start=\"0\" data-end=\"406\">Dans son \u0153uvre cin\u00e9matographique <em data-start=\"33\" data-end=\"58\">You must use the Tomato<\/em>, l&rsquo;artiste en r\u00e9sidence du Village Op\u00e9ra, Godelive Kasangati Kabena, explore la relation &#8230;","protected":false},"author":6,"featured_media":17218,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[19],"tags":[],"class_list":["post-17222","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-nouvelles"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.0 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Godelive Kasangati Kabena: You must use the Tomato &#8226; 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